FLORENCE + THE MACHINE
Thursday, May 26th
Pepsi Center
Tickets: $40.50-$80.50
On Sale Saturday, January 16th
Purchase Here
Following a gigantic 2015, which saw the release of their first U.S. #1 album How Big How Blue How Beautiful (Republic Records), Florence + The Machine will embark on their “How Beautiful” tour of North America this spring with support in Denver from Grimes. The tour kicks off May 13 in Miami.
Florence + the Machine are nominated for five awards at the 58th Annual Grammy Awards: Best Pop Duo/Group Performance for “Ship to Wreck,” Best Rock Song and Best Rock Performance for “What Kind Of Man” and Best Pop Vocal Album for How Big How Blue How Beautiful. How Big How Blue How Beautiful is also nominated for Best Recording Packaging. Released to extensive critical acclaim and named to best of lists from Rolling Stone, NPR Music, SPIN, American Songwriter, Consequence of Sound and more, the album landed Welch bookings on “Saturday Night Live,” “Good Morning America,” “Ellen,” “The Tonight Show Starring Jimmy Fallon” and “The Late Show With Stephen Colbert.” With three albums to her name, Florence continues to reach new heights—How Big How Blue How Beautiful reached #1 in the U.K. (her third #1 album in the country), Australia, New Zealand, Ireland, Switzerland and Canada after reaching the top spot on iTunes charts in 24 countries worldwide. Download the album via iTunes here and stream it via Spotify here.
Grimes’ 4th album, Art Angels (4AD) had prime placement on basically every 2015 End of Year list, with #1 spots from NME, Stereogum, Gorilla Vs. Bear and others. Jon Pareles of the NY Times called the album “a solo tour de force,” Stereogum said “In 2015, nothing sounded better,” and Rolling Stone called it a “triumph.” Time Magazine named “Flesh Without Blood” the #1 song of the year while iTunes named Art Angels the #1 Indie Album of 2015 and it finished out the year at #1 most added on CMJ Radio. In 2015 alone, she graced the covers of The FADER, Nylon, Dazed and Confused, NME, Flare and more.
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